In November last year, Ukraine’s largest production company Starlight Production announced that it has started a partnership with HOLYWATER
The year 2025 turned into a period of great achievements for the Hungarian indie Scripted Productions, led by Barbara Hámori.
That’s what I’m gonna do for you: God bless you, Jerry. But this is what you gonna do for me. You listenin, Jerry?
Yeah, what, what, what can I do for you, Rod? You just tell me what can I do for you?
It’s a very personal, a very important thing.
Commissioned back in 2017 and launched in Australia in 2018, Bluey has now turned into a global phenomenon and must-watch TV for families across the world. In the first half of this year, the show broke yes another record as it became all U.
Elif Tatoğlu, Distribution Strategy and Sales Director, is ready to meet clients during the MIPCOM market with a strong portfolio of premium dramas and proven hits.
Founded in 2021, MediaHub has quickly turned into one of the fastest growing and most innovative companies on the international TV scene.
ZDF Studios is all set for this year’s MIPCOM market which will host the World Premiere of Ku’damm 77 – the fourth part of the popular Ku’damm saga.
Microdramas, a form of serialized short video entertainment with episodes usually lasting between one and five minutes, have rapidly evolved from a niche phenomenon in China to a global force in the media landscape.
The role of artificial intelligence (AI) in live production has grown a lot in the last couple of years. Operations once requiring complete teams of editors, subtitlers, data analysts, and graphics operators are now often controlled in real-time by machines.
Typical weekend: you’re curled up on the couch, phone is away, and you’re diving into the latest show everyone’s talking about. Your biggest worry is whether your favorite character will make it.
If there is anything still generating large viewership numbers when it comes to live broadcasts, it’s sports. Regardless of continent or country, live sports remain the main magnet for people to turn on the TV, gaze at the laptop, the tablet or phone and follow the drama as it happens.
A year ago, there were lots of discussions about the rise of streaming platforms and how they could potentially revolutionize the CEE markets. Now we know – the revolution is not happening.
